Jeremy Casabella

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Ancient's warnings 
could only guess what
fathoms her tales would shed.

Oh, they may have thought "snakes!"
Because why not? Everything frightening is a serpent 
waiting to be disturbed 

in the disaster of cavernous ruins 
at night,
but it does a bit remind 

of curious tongues 
tasting at wind 
for tiny thrills and nourishment,

after half the world starves
staring through a screen.

Yet the scales were never hers
and not one body volts to marble.

It is gradual as granules in an
hourglass that rotates.  
Granted she is that amazing.

At one-sight instead 
onlookers freeze from base ambitions 
placid as meat.

Left in the sun they dry paralyzed
to parched thin bone 
beneath hide.

Flesh-flakes like
papier-maché crumble 
away languidly

the ways people must when they crumble 
to study any art into oblivion—

until ashen dirt so dry 
even command of three oceans
could not seize it,
nor wisdom vanquish, self-obliterates.

And in a solstice or so 
we are each one 

ghost 
from summit to abyss,

one leviathan pallid sheet draped 
over many seas in a skin of grit, debris

thick as buoyant deteriorating plastics.
So we appear serpentine

writhing on a head
which is her head.


Jeremy Casabella teaches Composition and Literature throughout the San Joaquin Valley and writes poetry, short stories, and pwoermds.  A 2019 Omnidawn Broadside Contest finalist, his poems appear most recently in Vinyl, The American Journal of PoetryGNURight Hand Pointing, and Rabid Oak. His pwoermding is featured in the anthology The Wisdoms of the Universes in a Single String of Letters from Xexoxial Editions, and on Twitter: @JCasabella1