Elephant Graveyard
the gathering of the end to itself
found;
the proper scope of air and light
/ to fill with
a celebration of birds
and do elephants, in their long slow dreams
scent a hazy polestar
not to know the place / but just the shadows it would cast
found.
the plain packed earth
to drumskin catch
that first breath to last momentum
thrown off a car-wreck’d life
gnash and flare, the wheels screech.
but / the spin goes ever on
the spin the spin the spin the spin
goes vwhooming into earth
goes corkscrewing into air like smoke,
around which vultures carousel
and emphasize
that certain slant of sunlight / in late afternoon
so clear that you could swear / you see the air,
and all the light inside it
like yellow plates of glass
a softly burning bedsheet / strewn across the room
which clarifies the contours that it kisses
of the floorboards, the old chair,
as if they were
for the-first-real-time-alive
found (thump)
clear light like a knife
that in its shaft
cuts through the foamy rumors of the world
to incandescent bones beneath
that ring like tuning forks when struck
we go stumbling onto fleet cathedrals
of tented light unfolding ordinary rooms
dirt a death has swelled with blood
air a life has sharpened with last looks
and if you / are to die in bed
or in this kitchen, years from now,
is your house coiled round you
lovely with anticipations
for were there any other perfect nights of your silhouette
that you sat at kitchen table
with the overhead the only light on in the whole house
the first cool autumn winds / rattling outside
and a warm mug held in both your hands
(steam spinning up into the light)
these premonitions of your dying / pose / the moments
bending time like light in water
to gift you glimpses of that room
as last it ever was
(for [you] were never quite so beautiful
as the last time that i saw [you])
wreathed soft
in holy fire / of goodbye
Lucy Loftus lives on the foggy south coast of Massachusetts and can often be found wandering around graveyards there. She doesn't bite, hard.