Kaylor Jones

Stone Fruit Suite

After Wallace Stevens


1
A continual veneer glazes the wind-
shorn palm fronds of the tropics. 
The sun is plump and cloying like 
a tender mango, suspended in 
the sky by an immaterial filament.

2
When the earthquake hit, a million 
houses shrugged and settled into 
a novel milieu. Many were full of 
taxpayers. Most kept mangos in 
their homespun pantries. 

3
For many years, girls have perched 
upon tall rocks, boys in the dusty 
beds of pickup trucks. They let 
the mango juice soak into their collars, 
shrugging linen smocks into the laundry 
for their mothers to stoop over.

4
On a first date, cacao nibs and 
roasted nuts are densely packed 
like caviar. He unfastens the picnic 
basket against a timber tree only 
to find it inexplicably brimming with 
mangos.

5
In another universe, mangos are 
corporeal. They take odd jobs: an 
accountant with papier mache ties, 
a fisherman in roller skates,  
a cashier at a store that only sells 
gardening supplies.

6
In another universe, a mango is a 
poet. She writes about the fear of 
precipitating life, of an overripe sun 
whittling promises out of her back 
as she sponges at a hamper full 
of laundry.


Kaylor Jones studies professional writing and psychology in Phoenix, Arizona, where she serves as the editor-in-chief of her university's literary review. Her work has previously appeared in Nightingale & Sparrow.