Lucas Flatt

Blame it on the Schluties, Gang

I get an app to autotune my voice. It’s a pain in the nards to get going, but I patch onto Liv’s Bluetooth speaker in her room where she’s probably vaping bath salts with her friends–I keep hearing a hissy schlarp-ing sound and coughing. 

“Livia clean up the kitchen / yuh / all of your bitchin' about being grown up and you left your retainer on the sink it’s fucking gross / whoa-oh.” 

It’s my best trap rapping, which is garbage. But I hear giggles from her friends and Liv scrambling to the door–I know her fury-scrambling well–and so I beat a retreat downstairs to play it aloof in my laundry room.

 

Later that night I’m still in the laundry room fiddling with the autotuner and my wife Reagan comes in with a load of towels. “Hey, bud. Be sure to use the Febreze sheets.” She blows me a kiss and tries to moonwalk back into our kitchen. 

“Wait, baby,” I say, autotuned. “I’ve got an idee-ee-uh.”

“Uh-huh,” she says, hits me with the “is this important?” eyes. She’s frazzled after another 10-hour day of local heroism; her dance team is helping Habitat for Humanity build an orphanage; I can’t really keep up. I’m proud, but she makes me feel less than.

Frazzled or not, Reagan’s still pretty in the dim fluorescent thrum, and, as ever, something tightens in my chest: impress her, you ass.

“I’m going to be a rapper. I think I can do this.” It sounds plaintive, not at all impressive.

She looks me over, notices the chain necklace I’ve rummaged from her jewelry box, the pen and balled-up scraps of paper.

“No. Please, babe. You’re not doing this. Not again. I can’t go through another crazy thing with you. I’m serious. I will leave you, do you hear me? No.” The door squeaks on its hinge as she holds eye contact with me until it pops shut and I say, “Hear me out.”

 

Two in the morning I find our daughter Liv standing over the kitchen sink scarfing a plate of macaroni. She’s put on weight since her knucklefuck boyfriend Jydyn disappeared sometime last spring. I’ve caught snippets of tearful lamentations and commiserations between Liv and Reagan over his ghosting. But I say, good riddance. 

I’ve been putting on weight, too, and scoop myself some macaroni. And I hasten to add–I’m not judging Liv about her weight. I simply worry she’s sad, like me.

Suddenly, I feel something press against my shoulder–for the first time in living memory, my teenage daughter has initiated physical contact. I freeze and macaroni gloops cheesily from the ladle back into the pot. Please last forever, I think. Please.

“That was pretty funny,” she says. “You didn’t sound half bad.” She lifts her head and my hand goes to the warm place her brow left on my t-shirt.

I stare ahead into the dark backyard. “Really? I was thinking about recording an album.” My sphincter tightens at this invitation to mockery, but she just pats twice between my shoulders.

“Follow your dreams, Daddy.”

“Always.” I turn to kiss the crown of her head, but she’s gone.

 

It’s an ex-student who tattoos my face. It hurts, for sure, but not like the lips. I guess Evan isn’t an “ex.” He sure as shit didn’t graduate, and we didn’t break up. I’d assumed he’d sublimated to the great parking lot beyond, wherever the drop-outs go, but here he is tattooing men’s faces in the daytime, in a Tudor stucco building in our city square, no less.   

 Good for him.

I imagine introducing this handsome, gainfully employed young man to Liv. Then, I imagine Reagan killing me with a chainsaw.

“So, you’re working on a demo?” Evan’s making small talk like a hair-dresser, shading in my eyelid. The tiny needle perforates my sclera, but I can’t blink, on his strict instruction, or else he’ll surely blind me.

“Yeah. Wanna hear it?” I bring up a track on my phone: “Hit me with that wobble-obble / ooh girl, stick it / I’m gonna give you my golden ticket.” It’s my club track, “Tha Wonka-Donk.”

He pauses, machine whirring, stares long and stoically into some ethereal middle distance, nods once. “Yeah, man. That’s dope.” 

As he’s etching my daughter’s name in wobbly cursive across my forehead, I’m telling Terri Gross, “I rap about being a fat white middle-class dad in America.”

“Mmm,” she says.

 

Back home, Reagan’s surprisingly chill about the facial tattoos. I think she thinks they’re fake, despite all the swelling. I’ve noticed these last few years, she tries not to look much at my face. The pain is incredible. I don’t think Evan should have let me tattoo my entire face and mouth in one afternoon, but he never was one for rules.

I could have sawn my head off and it wouldn't matter; Reagan doesn’t see me anymore. Not after my ventures parcel auctioning, condemned house flipping, the tech start-ups, iconoclastic street art, the inverted pyramid schemes. Now her parents own our house and I’m to be shot on sight at our bank.

She’s beautiful as ever standing in a little halo of summer light at the kitchen window, leaning against the sink in a frilled lavender sundress and brushing absently at an errant curl of philodendron, playing on her goddamn cell phone.

She scrolls and smiles and chuckles. How do I get into that fucking thing? I have to get in there.

I take a Casio, Liv’s blue-tooth speaker, and my phone into the laundry room, record my first album between the whites and darks, which is a terrible name for the album. So, I go with “Fabreezy.” 

For my rapper name, I take inspiration from Liv’s posters and split the difference: “Post-Future.” I see it as the magical place where we’ve all outlived the consequences. 

 

The studio software is a pain in the perineum and I must be hiding in the laundry room for a day or more because finally Liv pokes her head in to check on me, sees my swollen, infected face, my woozy stumbling, hears my choked-off pleas for help, and says what she’s mostly only said to me for years: “Oh my God, Dad.” I go down in a shower of iridescent sparkles, crack my forehead on the linoleum, but it’s OK. The doctors say I had to get some of that bacteria out of there before it ate the rest of my brain.

        

When I wake up in the ICU, I’ve got 17 hits on SoundCloud, but I can’t speak clearly. NGL, the experience seems to have slowed me down a step or two, but I think it will add to my street cred. I can recognize Liv right off but Reagan takes a while, and I think that hurts her feelings. She says it’s fine, keeps playing on her phone, our daughter next to her like a shadow, playing on her own. 

Or that might be a nurse, but I’m pretty sure it’s our daughter. Her name is Livia. Probably they don’t pay nurses to play on their phones.

I try to show them my SoundCloud hits. 

“What is that?” the older woman asks. “You kept waking up from your coma and checking it and then going back into your coma.”

“My coma,” like it’s another one of my projects. 

 

Back home, my girls take tandem care of me. When they dissipate to wherever it is they go beyond our guest room, I record and post more songs with apps on my phone. When enough time passes that I’m beyond feeling the physical sensation of thirst or hunger, I figure out that they’re not coming back. So, I wrest myself from bed and skulk about the empty house. I eat some leftovers. Then, I throw it all up into the kitchen trash. I have so much sadness in me, there’s nowhere else to put it.

 

At least I have my schluties, which is what I call the big, oval pain pills that inspired my most popular song as yet on Soundcloud. It goes like, “Give me some of those / schloo- oOooo0Ooo0o0oO0ties for ya boy / yuh.” 149 hits and counting. 

 

One afternoon, I wander through the house toward distant laughter, lifted on schluties, and interrupt on our back deck some kind of formal tea-party occasion, Reagan and Liv and Reagan’s mom and several other well-dressed women with gloves, pastels and pearls, all sitting in a semicircle, the stark light of noon beaming down through the skylight and the bees buzzing in the azaleas woven through the latticed housing of the screens. And I think, “What a lovely way to stage my intervention,” but then Reagan hurries over and shoves me backward into the kitchen and slides shut the glass door. She makes a turning motion with a pearlescent satin finger, and we lock eyes as I turn the blinds shut click by click.

 

Reagan finds me stuck at the kitchen table; I’m too woozy to stand. “Thanks for inviting me to your tea party,” I say.

She shakes her head, glowers. “Thanks for cleaning up.” She starts slamming dirty dishes into the sink.

I can feel this thing getting away from me. “Look, babe. I’m sorry I get so caught up in projects. But it’s not like I have anything else to do. Grade papers. Video games.”

“You have me. You have your daughter.”

“Well, how can I compete with your Pinterest page?” I raise my voice when I’m mad. 

She turns on the sink, shuts it off. On, off, on, off. “Is that what you think?” Her back is 

to me, shoulders tense, and I’m scared, but I keep going: “Yeah, gotta keep tabs on the Tiny House market. I get it. Can’t miss a wine-mom meme.”

She gets her phone from her bag on the counter. I give a big, stupid, “see what I’m saying” wave of my arms.

Her face is shadowed but she’s crying, thrusts her phone in my face and little text swims an inch from my nose. “I’m looking for help. For you. I’m trying to find someone who can help you. Medical sites, forums, online counselors.”

“But,” I say. “I’m right here. You can help me, here.” I slap the table too hard and upset the salt and pepper shakers. Maybe it’s the drugs, but I feel bad for the shakers. I tell them, “Sorry.”  

“Why can’t you say that to me?”

“It’s all I ever say to you.”

It’s bad choreography–her face screws up again, just as I think I’ve said something to break through the ritual. 

With a shuddering sigh, she reaches and cups my cheek. Her hand is pale, bony, thin, incongruously old; I must be doing this to her. She asks, “What have you done to your beautiful face?”

It’s the first time anyone has ever told me that I am beautiful. I say so.

She says I only want to feel sorry for myself, calls for Liv and they leave, still dressed in their pastels. At the door, she yells back, “We’re going to our al-anon meeting, then getting Cheddars. Want anything?”

“Mo-om,” Liv groans. “Don’t be mean. He can’t help it.”

“I’m good,” I say, too quietly to reach them.

 

So, I sit and sulk. I am the by God worst rapper in America; hours ago, I loved that. Now, it seems rote and sad. My SoundCloud hits have dwindled. I’ve re-branded myself; I’m going by the name “That Lil Big Baby Daddy.” Soundcloud’s algorithm suggested the name. 

Eventually, my legs come back online, and I pace, killing time until I can take more pain pills.

Seeking answers, or, perhaps, the missing connection, I slip into Liv’s room and find the posters of Post Malone all down, which stings some faraway me inside the schlutie-fortress. Her room is filled with boxes from Ikea, and it occurs to me that she’s moving away to college soon. I’ve heard nothing about this, but the math works out.

In her bedside table’s drawer, I find a diary and my heart pounds stupidly as I skim a few pages: it’s all about Jydyn, how much she hates him. Each passage is addressed to Maddie, who must be one of her friends, the tall one or the less tall one. 

It’s this Jydyn kid’s fault, I realize, that my daughter skulks and my wife follows and consoles. And then I think, Wait, I’m forgetting what it’s like. Reagan and I met young. I start reading more carefully. Their song is “Now or Never” by Halsey, so I play it over and over, and I read, and she’s right, it’s not fair, when you tell someone their going to be your 4ever person, and, like, your always there for them in the good times and the bad times–

“What the fuck?” Liv storms into the room, and she’s like, OMG, Dad, my diary, WTF? 

And her face, screwed up angry like her mom’s, she looks so young, and it hits me how inappropriate I’ve been, and I give an apologetic shrug like, IKR? And she throws me out of the room and slams the door.

        

I grab the family MacBook and drive a weaving 10 mph over to Evan’s tattoo shop. Our lawyers really don’t want us talking, but he says he’s not worried about it. 

While he works on my left hand, I’m writing out some new verses about everything going on at home, and telling Evan. I tell them about Jydyn, who, it turns out, sells Evan weed. I ask, “How long till she gets over him?” 

Evan’s like, “Breakups are hard. You want me to start on your feet?”

And I’m like, “Hold up, I got to get this out there.” There’s no time to set up my apps and mic, so I open up the laptop and record myself perform a smooth impromptu ballad: “Ooh, yuh, / Jydnyn, don’t you hurr-urr-urr-ur-URRR…”

It’s my masterpiece. On a whim, I post it, far and wide, near and far, high and low, I post it and post it and post it, Instagram and Reddit and YouTube, even Truth Social, where I tend to get good critiques, despite being a “race traitor.”

I close the laptop, shivering and shook; every time I record a new song, it takes something out of me and casts it spiraling into the void. It’s like giving birth, only sweatier. Giving birth to a beautiful, messy autotuned baby into the yawning maw of oblivion. But this time, something tells me–this time will be different.

 

I’m not wrong. I wake up home, somehow, sprawled on my kitchen floor, weak and confused from a near overdose of schluties. My phone rattles and bangs by my head on the linoleum. I’m getting so many notifications my phone locks up. When it resets, I see that my video has made the front page of Reddit. 

It’s happening.

I charge upstairs and stumble into Liv’s room, where she’s sitting on her bed holding a giant teddy bear. Reagan is pacing the narrow space between her bed and the boxes stacked against the newly bare wall.

“Look!” I open her laptop. “Look, guys!”

I bring up Reddit and there it is, my face etched with tattoos. 

“Whoa,” Liv says, coming over. “Wow, babe,” says Reagan.

I click play. “This is Liv’s Lil Big Baby Daddy. This is for my baby girl Livvy. ‘Don’t anybody hurr urr URR urr urr…”

The Subreddit is R/sadcringe, but who cares? I’ve made it! My vision swims. I feel their hands on my shoulders. I’m levitating off the carpet. 

I’ve got thousands of SoundCloud hits. I keep refreshing and there are more; Reagan and Liv call out the numbers. “You’re really bad at rapping!” Liv shouts, hugging me. 

“I know!” I kiss the crown of her head.

 

They settle behind me on Liv’s bed, stunned. I had no plan for this; I need to talk to my agent. I text Evan, but he responds: “You signed the settlement agreement, man. No take-backs!” And I think I’m blocked.

Doesn’t matter; I’ve done it. I’m fully seen, fully heard, by the world, the derelict people of the internet, both my girls. I play the video again.

 “Wait, are you saying, ‘Jydyn?’ Is this about me?” Liv is shrieking in my ear. She’s got her phone and it’s blowing up with her own notifications. “Dad?” she shrieks. “Baby daddy? Whose baby?”

She shows me her phone: “Eww wait is your dad the father? Eww.”

And she’s gone, and Reagan goes chasing after. The big teddy bear has “Maddie” embroidered across its belly. One of the Ikea boxes is open on the bed and a half-assembled bassinet sits propped against the pillows.

“Oh,” it hits me, looking at the laptop screen, the video title: “ ‘Dis That Liv’s Lil Baby Daddy’.” 

“Yeah.” I suck my teeth. “Yeah,” I say to no one, no one whatsoever, alone in my daughter’s room. “I get it.”

I pick up a thin plywood piece of the bassinet and an Allen’s wrench. I’m going to be a grandfather, a stand-in for a Dad. Unfolding before me are the halcyon days of me not being an asshole that never were but could now be: a post-future-past. For time is a bridge and I’ve been like a douchebag troll that lives underneath the bridge and hops and curses. Is it wrong, I wonder, to earnestly know I will do things right this time? Is it a sign of growth, or a betrayal? Where the hell is part EG?

I drop the Allen wrench, fling the plywood piece back onto the mattress. Instinctively, my hand finds my phone, slides open the autotuner app, and I decide, inspiration thrumming, I have to fight for my family, now, the only way I know how. 


Lucas Flatt's work has appeared in Puerto del Sol, Typehouse Literary JournalSundog Lit and Ellipsis...literature and art. He won the 2016 Larry Brown Short Story award at Pithead Chapel. He teaches creative writing at Volunteer State Community College.

Evan Baughfman

DRAWING FOR DAD

Synopsis: A father receives some surprising artwork from his son.

Characters:

DAD, Aiden’s father

AIDEN, 8 years old; an artist

 

“DRAWING FOR DAD”

 

(As DAD enters the kitchen, eight-year-old AIDEN sits at the table, drawing on a piece of paper with a black crayon.)

 

DAD

Hey, bud, what’re you working on?

 

AIDEN

A picture of you.

 

(DAD smiles and walks over to get a closer look. Soon, his smile fades.)

 

DAD

That’s…That’s a picture of a skeleton, bud.

 

AIDEN

Pretty good, huh?

 

DAD

Yeah, but…

 

(AIDEN takes a red crayon and begins to vigorously color over the artwork.)

 

And what’s that, bud?

 

AIDEN

Blood. Lots of blood.

 

(Looks like we’re in a horror movie scenario here…)

 

DAD

You said that’s a picture of me?

 

AIDEN

Yep. Someday we’re all just gonna be skeletons.

 

DAD

You’re right. But I…I won’t look like that for a while, bud…

 

AIDEN

No, Dad.

 

(He pushes back his chair and stands tall, proudly examining his work.

 

(AIDEN hands DAD the paper.)

 

Tonight.

 

(AIDEN exits and confused/concerned DAD is left to stare at the drawing in his hand.)

 

End of play.


Evan Baughfman is a Southern California playwright and author. He is a playwriting member of PlayGround-L.A., and is a company member with Force of Nature Productions. A number of Evan’s plays are published through Heuer Publishing, YouthPLAYS, Next Stage Press, and Drama Notebook. Evan has also found success writing horror fiction, his work found recently in anthologies by Inkd Publishing, No Bad Books Press, and Black Hare Press. Evan’s own books include: The Emaciated Man, Vanishing of the 7th Grade, Bad for Your Teeth, and Try Not to Die in a Dark Fairy Tale. More info is available at amazon.com/author/evanbaughfman

K.A. Nielsen

at 7:26

When you close the door       when you leave   at 7:26        I wonder    I wonder    where                  you go        where               do you go when you          button your         coat after the       kiss         good-bye        every day at 7:26         I wonder    I know the answer should be                   work           that’s where people go at 7:26        and       yet      there was this time            just once              I’ve been scared to           look again             you forgot                  your scarf   you never forget     your scarf and so               I opened the door opened it    it couldn’t have  been      long                 not long at all       between                       you closing the door and me           opening it                       no

   I don’t think so not even 7:     2 7 I don’t think                 I don’t think        I don’t   think               I        opened the door and you weren’t   you weren’t      where were        I don’t                    I            you weren’t there                        I looked where you should    be      and you weren’t I looked                   up the street                  and down   up and                 down but    no you weren’t    no     where do you         I was just standing          see with your scarf    like this      but you       people don’t just                    they       don’t just                  and yet with the door open        like that  with it open like that and you                 I know how it sounds      I       know           I know       so      little but        but           can we         I just want to know where you go          when you        close the     door at 7:26         do you               go   somewhere or do     you just               what’s the word           when you vanish         disappear  cease to            be           is       that             what happens                 at 7:26?


 K.A. Nielsen (she/they) is a U.S. writer living in Sweden. Their work has appeared in Milk Candy Review, Janus Literary, Fusion Fragment, Sledgehammer Lit, voidspace, the Bullshit Lit Anthology, and elsewhere. They are on the internet: www.kanielsen.net and @_kanielsen_.

Selen Ozturk

Binoculars

“But you know the weirdest part about getting screwed like that,” she said.

I didn’t.

“Is the next day, when you’re in line for coffee, at the grocery store or something, and you smile at the cashier or the person in front of you and they smile when an hour ago you were naked and tied up and getting whipped all over by someone who was also naked. But I mean it can’t be that uncommon. Have you ever thought. I mean maybe the cashier, the night before. Maybe half the cafe one time or other. In the New York Times I read once that thirty six percent of American adults have tried it. I mean my mother gets the New York Times. And then after we all go out into the day together smiling with our clothes on and Hello Thank You. Do you understand. I’m no prude. Or else would I be here. All I wonder is people. How one thing leads to the other and back.”

“Thank you,” said the facilitator. 

He sat in the middle of our circle. He was supposed to make sure we all got only one minute to talk. I wondered if he got compensated for being here or if it was like AA where you were supposed to thank God there’s a better path than where you were and pay it forward. If he felt like he was paying it forward just right now.

Then a tired coarse man who was wider in the middle than his chair. The metal creaked under him when he cleared his throat, which was often and involuntary. He had a friendly face that wrinkled deep around the edges and thick curly hair that fell over his ears and looked too black for his age.

“I’m Dave and I watch too much. You know. To. That now I can’t.”

Dave was tensed. He looked over each of us, dreading disgust, probably. We all looked back and nodded softly. He settled back a bit and cleared his throat. His chair creaked loud in the bare room.

“Hello, David,” said the facilitator. “Thank you.”

“I’m Mona,” said a woman who didn’t need to. She was the only one who’d taken one of the big white stickers and a marker and written her name. All caps on her chest like an emergency. MONA. 

“And I’m here because I keep cheating on my husband.”

“Hello, Mona.” 

“When he was flying I wouldn’t ever have come here. I thought of it as covering my bases. Of course that’s wrong. But it wasn’t inaccurate. I’d think what could he possibly be doing on a big warm beach in Malta or Miami where no one knew him, or somewhere in the mountains with rich bored women he’d never have to see again. Calling from wherever he was, he’d tell me about his days off and get to the nights and just trail off. It was just fine. And I’d go out and meet someone. It’s not hard, you can imagine.”

She waved at her face and it was true, she was pretty with shining cheeks pulled taut over the bones and a mouth like a dropped plum. Plain blue eyes flitting from the facilitator’s lap, up to the window with the trees waving in the bright heat as though underwater, down to the table with the coffee no one ever poured, down at her own neat fingers, one thrumming with a bare gold band on.

“Then we got a big house across town to make space for children. And he did private flying on the side to make up the money. Seaplanes and traffic helicopters, like that. Not billionaires. Though once he did a helicopter tour of Seattle for a big football player visiting. Even though it was raining sheets. Just because he wanted it. Because the football player said if that was the real Seattle he wanted to see it. Up in a weather plane three years ago he crashed in the woods up north. Just lost control of everything at the worst moment, he said. There was a summer storm. We got money but not a lot because the lawyers got it looked over and both sides said there was nothing wrong with the rotor, that’s the big wheeling blade, or the wings or anything else. And that first week he could barely twitch his thumb back and forth. I thought I’d be wiping his ass forever, you know, like Christopher Reeve in Rear Window, not that I wouldn’t because I love him.”

“Jimmy Stewart,” Dave said.

“Oh I love that one, with the binoculars,” the S&M addict said. “Where he says ‘Right now I’d welcome trouble.’”

“So he has a motor chair now and he can do everything himself. Nearly.” 

Dave creaked.

“So can you imagine. Me being who I. Needing what I need. And he knew that when he married me. How important it was for me. And him. He loved that. He said he’d never met a woman like that who was always ready who wasn’t paid to be or had serious psychological issues. He loved it.”

Her hands tented on her lap.

“And you know what the worst part is.”

I didn’t.

“He still does. Not that. Well. I mean he’s still a man for chrissake. But he understands. No one spends four hours at the bank. Goes to the little park the next town over because it’s so peaceful every single three o’clock on Thursday. I used to try, you know. I had a friend in town. I’d check the movie schedules. But he understands. That’s my problem. A weakness. Who hasn’t once or twice. But coming home. Asking about his day over dinner. How he can stay standing up for a long time now without grabbing onto anything. Yes my day was nothing special. Kissing goodnight and brushing over him to turn the light off. He understands. Can you imagine. 

“Thank you, Mona,” said the facilitator. 

“Because I was so miserable that first year, and of course he was stoic but for both our sakes he wanted to be dead. And I took perfect care of him, he told me. I still do, even better, even though I don’t have to now. Now we laugh again when we wake up and at night with the TV. Do you see how making trouble could be so much worse than just. If he really is that comfortable for once. And what do you do with that.”

“You know what I think,” said the S&M addict.

I didn’t.

She sobered her face. 

“You’re not comfortable. Otherwise you wouldn’t be here,” she said, slowly, with great weight.

That’s all she said.

But I was starting to think how she was wrong, wrong, wrong. How it was late June outside, the longest day of the year. How the sun wouldn’t set until nearly nine. And it wasn’t even seven yet. Or maybe it had passed without our noticing, and it was the day after the longest day. How we’d all get up soon and put the chairs away and enter that day smiling and Hello Thank You, catching the last full light.


Selen Ozturk is a San Francisco-based writer born in Istanbul. Her writing appears or will soon in Evergreen Review, Hobart, Bayou Magazine, San Francisco Chronicle, and SFGATE. She has received support from Bread Loaf, Grub Street, and The San Francisco Writers Grotto. She holds a philosophy degree from UC Berkeley and works as a journalist.

Josh Rank

Voices

The first time I heard a voice was while I stood in line at the grocery store.

The self-checkout is much faster, it said. The voice was deep, like Mufasa from the Lion King. I looked behind me but only saw a tiny old lady putting a bag of oranges on the conveyor belt.

Now you have to wait for that guy to figure out how to tap his credit card, said Mufasa.

“I don’t like the self-checkout,” I said.

The cashier glanced over to me while the guy continued trying to use the credit card reader. She smiled, but it was one of those trying-to-hold-in-a-laugh smiles and not a glad-to-see-you smile.

But Mufasa wasn’t the only one. And they weren’t always there. They popped in to give me little pieces of advice, which would be nice if you could ignore the condescension.

I wouldn’t cut the pomegranate like that, said a high-pitched, shaky voice. I imagined a cartoon ghost; big sheet with two black cut-out eyes swaying above empty space where feet should be.

Don’t you think it’s time to clip those toenails? someone asked between deep, gasping breaths.

Most of the time I didn’t mind, to be honest. Voices in your head get a bad wrap. They’re blamed for serial killers and suicides, but maybe we just don’t hear about the nice ones. People differ wildly from each other. Why wouldn’t their extra voices be different, too?

And then one day, I heard a much higher, thinner voice that I recognized immediately. I stood in my backyard watering the planter box. My sugar baby watermelons had grown some pretty long vines but no actual watermelons. The voice popped into my head and I dropped the hose.

They’re planted too close together. They need room to spread out.

“Bryan?” The overgrown yard looked a bit swimmy as tears filled my eyes. My neighbor stopped throwing the tennis ball to his huge dogs for a moment and looked over.

“Ah, shit man. I can’t imagine what it’s like,” he said.

I didn’t realize I’d said anything out loud. “What?”

He walked over to the little, white fence. His dogs stood rigid with no idea I said the name of my dead son out of nowhere.

“He’s going to pop into your head like that forever. Must be hella tough,” said my neighbor.

They need more water, too, said Bryan in my head. Like a ton of water.

My hands shook. Breaths disappeared. “Where’s Mufasa?” I asked, but didn’t mean to.

My neighbor knocked his knuckles on the fence a couple times and took his dogs inside.

I didn’t move. The hose continued making a puddle in the lawn but I worried I’d lose him if I took a step, like a radio tuned to a station just outside the broadcast area.

I’m okay, Dad.

I felt something on the crown of my head there in the backyard with the hose gurgling at my feet. It was warm. It tingled. And it slowly spread down my neck to my arms and torso and eventually my legs. 

I didn’t hear him again after that. Bryan. But I didn’t need to. I still hadn’t gone to one of those grief groups but I stopped feeling bad about it. Mufasa came back a couple days later to tell me to check the air pressure in my car tires, but instead of being annoyed, I smiled and thanked him.


Josh Rank is a graduate of the University of Wisconsin - Milwaukee and lives in Appleton, WI with his wife and two dogs. His novel THE PRESENT IS PAST was published by Unsolicited Press in 2023. A story collection titled CHANCE TO FADE & OTHER STORIES will be published in 2025 by Running Wild Press. He keeps himself busy putting together ugly woodworking projects, cooking for his wife, and wishing his dogs were better behaved. Find him online at www.joshrank.com.

Daniel A. Rabuzzi

Skin Talk at Dawn

My skin weighs less at dawn, my bones mute their crackling, and with my hat pulled tight down only the intoxicated notice me on the subway, otherwise I pass and the addled won't remember what they saw anyway, much less believe it by evening-time;-- in my home-place, we call the blurring of your sight, my unattended passage, “the mechanics of slant-wise sliding, holding a mirror obverse forward,” as best I can render the concept in your speech, alas, you lack the illative, the adessive, the other cases I need, and even if you possessed those, the palates here are too small for the number of teeth I need;-- I could sigh, with a ponderously big rush of air, but no good would come therefrom (trust me, this I know from roaring experience), so I will click my jaws hard shut, enjoying the friction of enamel crossing enamel, will do no more than urge my thoughts onto the text-device, as the subway lurches back into Manhattan, from the hunting-grounds I roamed in the night;-- your kind so tender, unsuspecting, I could (as you put it) just eat you all up, if you understand my little joke I just made now, the irony you would I am quite certain understand, even missing some of the syntactical tools you need;-- I remember not to flex out my claws, even though Lord knows they itch fierce, bits of matter stuck in the pads and my tendons ache, sore from bruising combats, torn velvet, my lungs still clamor and burn, after sprintings and pursuits, oh why must you always run so, all frantic and arms a-waving?;-- your noise at those moments, nothing fleeting about it, more like the express, not the local (I have been here since before they built the subway, of course, but I try to stay dated, no, up-to-date rather, in my patterns of speech; we aim to be as fastidious, as precise, in speaking as we are in hunting – it's just that we so seldom get the chance to speak, so naturally we then pour forth in streams and rivers, yes like this, which might contradict the rule about neat and orderly transmission) (alas, and where was I, lost that train for sure), a rapidly building sound pitched high and metallic, and a slamping sort of echo at the end, like when the train chuffs into the station and the doors wheeze open, it is almost poetical, I sometimes pause to capture the miniature symphony as it unfolds, though never so long as to let the prey escape;-- alarming it must seem, as I picture it from your point of view, repeated most nights, all down the years (so many years, ah!), and me in a steady quiet lather, must always pursue silently, or at least with great stealth, keeping my mouth shut until the last, most opportune time for striking, which then I do with credible force, in which I take some pride, okay much pride if you insist and I must confess it, “aw shucks” I heard it said on old black-and-white TV shows, having done so since the vast battles way back before you were born (you being, to be precise as I claim, all of you and everywhere, even though I am responsible just for this one precinct, the wicked old Gotham in all its ever-fading, ever-new glories, and no minor matter in fact, with your multitudes singing electric);-- dozy my head becoming as we near Union Square, must remember to switch to the 6 downtown, really need a coffee first, nothing fancy, nothing over-poured or with all those adjectives, just regular very hot, dash of old-fashioned milk, but happily no need for a bagel since I am very full now, midnight snacks is your phrase not mine, plus that saves money, am saving for Wicked tickets on Broadway, though I might could be tempted by the new Malaysian place near Seward Park for lunch, such fare being a terrestrial invention, an advance on the kitchens above; –forgive me, my thoughts stray yet again, little wanderings, not like the careful triangulations and expeditions of my night-time pursuits, I think my forebrain and my backbrain slip away from one the other in the dawn light, together they forget the point of my lessons, my admonitions, the monstering of it all; so (“ahem,” as your comic strip talk-balloons say), returning now to the serious matter confronting us, you and me on the same team: with the most solicitous respects I say to you all (please, please listen) that you are isolates, minutes and atoms, you stroll heedless where you ought not, no warnings from me suffice no matter the efforts I take so many pains with, I believe I could light my tails a-flame and swoop like a comet or an annunciatory star from the Empire State Building, yet still most of you would ignore me, your consciousnesses sprawled over your screens, ears clogged with buds and phones, chattering with each other but so rarely with me, alas, so on and on you stumble into the lightless spaces you were forewarned against, where I must needs search and find you, and then you misunderstand my motives, you fail to really see me, instead you jump like hares and run eyes round-open, tongues so red in mouths so open, all vainly I must sigh (small nudge of air, no one would notice, not even the inebriates), just a whiff of the sulfur, I get so frustrated;-- wishing as ever for conversation, a charla over dominoes, maybe at the hair salon, some kvetching with you over fries at the diner, wherever, whatevs (hah, I heard that on TikTok the other day, amazing what I learn there, even the useful dance-step or two, though my feet retract, is that it?, in ways your dancers would find disturbing, even as they envied my mobility), I would show up if you invited me, but alas you never do, only the crazed and demented among you, or now and again, not often thank the Virtues and the Graces but often enough, some cunning soul pops up with a heart of thorns and graspy glances, a brain full of plans and plots and portents, who thinks I can be controlled for ends not my own, and oh-my-gosh that never ever finishes in a happy corner, but those sorts I dismiss from my memory, choosing to spend more time reaching out to the rest of you, though I realize I do how difficult it is: how would you approach me, if you knew my tasks and duties? Maybe I need better “PR” (a word I learned only recently) or a “marketing guru,” which sounds exciting, I read about this profession in the Wall Street Journal;-- my boss tells me I complain too much, “quit your belly-aching” (I imagine him putting it the way you do, so colorful, so fleshy-- of course, his actual phrase is more formal, our native tongue being so much more austere, not given to corporealities, treating hunger as an abstract even in this dimension), so to the good news: my tally last night was good, more to report, closer to the annual quota, maybe a promotion, maybe Lord knows a holiday trip back to the home-place, all expenses paid, with all the perks (the air-miles equivalent astronomical!), oh and unlimited buffet dining with food that does not try to escape, ah the home-place, so far from here even though it is pictured so often in your books (tender feelings about it I will share with you, even when the furnishings you imagine are so far off the mark), I mean, I love your place, so round and full, so messy, full of smells and sparks, more than you seem to realize or appreciate, if we could chat like on one of your television shows, I could show you that love, a big demonstration, would top the ratings, maybe win an Emmy, you know? (I practice my acceptance speech in my bathroom mirror).  Still, even a fan like me, a long-time resident and full of affection, even I need the occasional vacation.  I have not seen my mother since, well I cannot remember, but I think it was before you had learned to work copper.  So please do not begrudge me a tiny slice of homesickness, the smallest icing on the cherry, to go with my coffee, I hope?; – hopes and apologies I strew, along with head-shakings and warm gestures, for you my beloved small kindred, made in similar image (no matter how strange we may appear on surface to our respective eyes, we can recognize the spirit within, if only with a little nudging now and then, and of course we like the same kinds of music, which in my book clinches the confirmation of our propinquity) whom I have watched and guarded for so many many years (“eons” only barely begins to scope the passage of all that time, a burden even for one such as me); – rely on me to hunt those who hunt you, in the gloom-corners and dim conduits, to stop those who would lure you into the pull of centripetal pits, along the murky edges of your reality, please forgive my appearance when I am forced to put aside the obverse of the mirror, I was made to be a shield with rims of razor, midnight's jagged spear of phosphor, radial sun-fire dagger, to protect you; – hoo boy, and oh golly, so tired now, want a soft shower for my abraded skin, the reporting can wait, but not the spare change I must give the inebriate who is eyeing me with fearful wonder.   
{ end }


Daniel A. Rabuzzi (he / his) has had two novels, five short stories, 35 poems, and nearly 50 essays / articles published (www.danielarabuzzi.com). Pushcart nominee. He lives in New York City with his artistic partner & spouse, the woodcarver Deborah A. Mills (www.deborahmillswoodcarving.com). 

Nick Kunze

The Object Of

We stared at a worn stuffed animal on a pedestal. The creature—it was no discernible animal—was green, stark against the white of the wall. Its eyes bulged, lidless, and it had pointed felt teeth. This stuffed animal, according to the plaque on the wall, was won at a claw game inside a bowling alley in Columbus, Ohio during the final minutes of a first date. The creature had made its way here to a museum in Mexico City, an anonymous memory among a host of others.

The plaque read: This toy, once a symbol of love, represents how monstrous our relationship turned out to be. But I cannot divorce it from who we were, the kindness he once showed me. I leave it here as both a memory and a lesson. 

“It’s so sad,” she said, her hand in mine. 

“Who goes bowling on a first date?” I said.

The museum was called Museo del Objeto del Objeto. The direct translation: Museum of the Object of the Object. A three-story, aged building surrounded by upscale restaurants on a corner in Roma Norte. Found on Google Maps, it sounded like a lark, a way to kill thirty minutes before dinner. 

Without context, the exhibit looked like a bunch of items (or, less charitably, junk) displayed with no connective tissue or visual symmetry. Except each item was paired with a description in both Spanish and English, written by the item’s donator. And the exhibit had a name: The Museum of Broken Relationships. 

We shuffled to the right and stopped in front of an abandoned wedding ring.

I was aware of her hand in mine, a sensation that had long become unconscious. It was like the first time our fingers had linked, walking back from dinner on our third date.

I squeezed her hand. This isn’t us, I tried to send.

She squeezed back, absentminded, focused on reading. 

We moved from item to item, silent. A love note torn in two. Two Betty Boops: one enamel, one plush. The frayed collar of a cat that had been named after a former lover. A single high-heeled shoe. A bracelet, a locket, a toothbrush, a vase. 

This was the first thing he-

The last time I saw her I-

Even forty years later this-

In many of the write-ups, the language was simple. Blunt. Others sounded like poetry. Some looked back at a first love from a secured, happy future and showed grace. A handful, in that frozen moment of writing, swore they’d never love again. 

Some items felt, even given the context, too personal. Goodbye notes from dying parents, graphic love letters with a signature on the bottom, medical apparatus once attached to flesh. What drove them to donate these things? Exhibitionism? Therapy? Revenge?

“I like that one,” she said. “Although maybe ‘like’ isn’t the right word.”

“Which one?”

“The cancer one.” She pointed to a red wig, the color bordering on unnatural.

“I like that one too.”

A man, alone at the exhibit, peeked at our conjoined hands. 

The text began to blur. It did not matter how real the love felt, how long the marriage lasted. One message, repeated: Everything ends. 

Our relationship, my first, had gone unquestioned so far. Two years in, I hadn’t looked closely at the details of our love, hadn’t thought past the immediate comfort it brought. I’d never imagined her smile on our wedding day; didn’t wonder what resentments, their roots visible now in our minor spats, might arise in five, ten, fifty years; had never questioned how she’d handle a sick child or depleting bank account. But in that moment, I began imagining a new first: a first break-up. Or not a break-up—that still felt too distant, too out-of-reach—but what came after. Mourning. I was daydreaming what trinket or gift I’d leave here, in the museum.

I could give the handwritten note from our first anniversary, written on oversized paper. Or the shirt she gifted me, a size too large, which I’d felt too guilty to return. Maybe the plane ticket for this trip, printed at the airport terminal, our first big vacation together. It was all perfect until… I wondered if I’d be glib, bitter or indifferent in my written statement, if what I wrote would match how I felt.

In that moment, I loved her so much. But the idea of loving her forever? It seemed impossible.

“Let’s go,” I said.

“We’re barely halfway through the exhibit,” she said, confused, looking away from a lactation pump to stare up at me.

“Let’s walk in the park. It’s beautiful outside,” I said, trying to divert her focus like a parent hoping to spare their child the sight of roadkill.

“A few more.”

“Please.” 

She frowned, then nodded. We left hand-in-hand. 

Outside, back in the sun, my doubts faded. We were not like those people, sad and broken. We could, would, last.

Then our hands separated—she’d pulled her hand from mine. She’d said something, but I’d missed it, lost in thought. I turned toward her.

She was frowning. Not the earlier frown of surprise, but an expression less pronounced but deeper felt. I wondered, watching her, trying to read her mood in the contours of her face, if we were standing at the beginning or the end of something.


Nick Kunze was a Creative Writing major at UCLA. He has had fiction published in the Angel City Review. He currently resides in Los Angeles.