Graeme Bezanson

Pinking of You

Kansas City is incremental and wide. We spent the afternoon driving around because Sarah needed to go to FedEx and also pick up a bunch of new socks, work socks and gym socks, so necessarily there were multiple stops for socks. At the last minute we decided to visit the Nelson-Atkins Museum, but it was closed so we walked around the outdoor sculpture garden instead, winding along the perimeter of a huge lawn where some sports activity had broken out involving frisbees and about a dozen teens. There were a ton of Henry Moore sculptures, an overrepresentation that seemed weird until Sarah looked it up and reported that the whole thing had been a Henry Moore park until work by other artists was added in the mid-nineties. “Well that’s fucking depressing,” said Sarah. I didn’t ask why but felt like I mostly agreed. They were these massive, reclining bronzes, too heavy to lift themselves up. We took pictures of each other in front of Claes Oldenburg’s 20-foot-tall badminton shuttlecocks. Sarah brought me around to the back of the museum to see the big Walter de Maria installation, which was a large, shallow pool containing circular skylights down to a parking garage below. I looked at it for a long while and felt almost nothing.

We wandered back around to the sloping lawn and lay down in the sun. The frisbee game had mostly died out and everybody was sprawled out on the grass. Sarah chewed her nails and I thumbed through the pictures we’d taken and posted a few online. She was still gnawing on her fingers when I looked up so I batted her hand away from her mouth. She swatted me back with a damp paw.

“Gross,” I said.

“You’re gross,” she said. She held her hand out at arm’s length and examined it as if trying on a ring.

“My grandmother always had perfect nails,” she said. A frisbee soared into our airspace, then dramatically swerved away at the last moment.

“When she died all I wanted was her nail polish.” She laughed. “It was this crazy shade of pink. But my uncle got to it first. I mean he went to the nursing home and started sorting through her stuff, throwing junk away. So by the time we got there, the nail polish was gone.” She rolled over onto her back and looked up at some point between us and the sky, as if trying to remember how to tell this story, or maybe any story. “I was so crushed, just crying and crying. My uncle felt really bad, but what could he do? We checked drugstores where she might have shopped, looked all over for this stupid nail polish but we didn’t know the brand or anything. Then we were flying home, me and my mom. I just remember being so tired, we were like zombies. I remember I was in the window seat and my mom was next to me. The flight attendant came by and she kind of reached across to set a drink down on my tray. And my mom just grabbed me. The fucking flight attendant was wearing my grandmother’s nail polish, we couldn’t believe it. My mom said something about liking the color and did she happen to know the name. She went and checked in her stuff.”

“So you got it?” I said.

“We got the name, yeah,” said Sarah. “Then we looked it up when we got home. They don’t make it anymore, but we found two bottles online. So I have one and my mom has one.”

“That’s a great anecdote,” I said. Sarah laughed and said that it was the kind of compliment a psychopath might pay.

“So what was the color called?” I said. She thought for a second.

“You know, I totally forget. Something cutesy. We’ll check later.”

We lay on the grass a while longer then ordered food from an Indian place that Sarah had in her phone. We picked it up at a pale-yellow strip mall. At home we found they’d given us enough cutlery for a child’s birthday party. Outside the moon swooped softly through the sky.


Graeme Bezanson's writing has appeared in HAD, BOMB, GlitterMOB, The Puritan, and elsewhere. He lives in a tiny village in southwestern France.

Laurie Swinarton

Liminality

Each night, at precisely 9:00 pm, he turns the television off – click – then shuffles to bed.


“I was watching that.” But 36 years had rendered her invisible.


They’d faltered and cracked under the colossal strain of marriage. They’d built armor with TV, ear buds and cell phones.


Would he miss her? Truthfully? Maybe.


Beyond the door, the midsummer light retreats while streetlamps cast a phosphorous glow. The house gathers itself and prepares to expel her.


Her knuckles flex against the handle of her suitcase. She steps across the threshold and disappears like the fading sun.


Laurie Swinarton is a reader, writer, and loose-leaf tea aficionado. She's currently researching her great grand-aunt Louise's 1919 travel diary and has recklessly decided to recreate Louise's 7,000 mile journey in the new year. When not writing, Laurie's sipping tea and plotting ways to escape her day job. Tight clothes and bras make her cranky.

Kenneth Gulotta

Quay

Cliff, squinting through his dripping sweat, found that he couldn’t speak to the man in the ticket booth; he stumbled ahead, leaving Bill and Alex to handle the money. Then he veered to the left, bumping against the door of the men’s room. He pushed it open and staggered inside.

The cashier shook his head and handed the three ticket stubs to Bill. “Take care of him, guys. Jesus.”

Bill and Alex stood outside the door to the men’s door. They watched the line of people as it bunched before the ticket booth and frayed into groups drifting to different parts of the theater.

Bill handed Alex one of the three stubs.

“Should we—” Alex said, but the bathroom door opened partway. After a few seconds, Cliff came out. His face, hair, and neck glistened. He shook his head, his eyes snapping from place to place as he peered over their heads at the signs above the various entrances. Bill handed him his ticket stub, and the three of them made their way down one of the hallways and into the gloom under the dark screen.

They found seats a few rows from the back. In the rows before them, silent heads wavered above nearly all the seats.

The three sat in a row: Bill, Cliff, and Alex. New beads of sweat grew and ambled down Cliff’s face in the half-darkness. Once, he opened his mouth as if to speak, but he didn’t. Bill and Alex turned to him. His mouth hung open, frozen, and then it slowly closed.

The screen flickered, white shapes caroming. It went black, and then a narrator spoke about an upcoming movie in fragments. Text materialized on the screen occasionally, quotes from reviewers. For one long moment, the trail of a distant jet lengthened across a blue sky.

“Is this all one movie?” Bill whispered as the preview continued. “Is this—is it still the same one?”

Another preview suddenly began. People spoke in Australian accents.

Bill watched a woman’s black hair move against the mesh fabric of her headrest as she talked to someone next to her; Cliff closed his eyes and opened them but didn’t seem to focus on anything; Alex inspected the sides of his fingers and the creases on their bellies.

The theater stuttered into darkness and then light as the film began.

Letters, grouped in possible words, appeared and disappeared. Then a puppet moved around a dark room, assembling materials on a worktable. Part of a doll’s head stared upward blankly.

Hoo,” Bill breathed.

The puppet put pieces together and took them back apart. Some of the pieces moved brokenly on their own, shaking from inch to inch on the table. At one point a red, raw piece of meat grew, twisted around itself into nothingness, and grew again, glistening on a metal tray.

“Come on,” Alex groaned.

The puppet brought its materials together a final time, and then they rose on their own, joined into another puppet, stunted and bent, with a baby doll’s face projecting before its body.

The smaller puppet left, striking out on its own, apparently. It paused and waved at its creator, still in the workshop. The larger puppet waved back. Then it sank next to the table, moving slightly, emptied.

As the film progressed, other puppets moved on stages and down streets. Now and then, the small, doll-faced puppet’s head slowly peered around a corner, looking at the others. “Go away,” Cliff whispered at it once.

Alex realized an hour later that he was clutching his seat’s armrests, and he forced himself to relax his fingers, releasing.

The screen dissolved into blankness and then darkness. The overhead lights came on, revealing the still heads of the audience. Silently, all the people rose and filed from the theater. Bill, Cliff, and Alex stood and followed. No one spoke during the slow walk down the hallway, through the lobby, and out the front door.

Outside, Alex said, “That was.”

“Uh-huh,” Bill said.

“I didn’t, did not expect.”

“No. Nope.”

A car full of teenagers roared past. One of the boys leaned out the window and yelled, “Fucking fucked-up faggot college fucks!” Others in the car laughed. The boy’s baseball cap fell off his head and landed in the intersection. “Fuck!” the boy yelled again as the car raced away.

“Man,” Cliff said. “Let’s get inside.”

“Hey,” Bill said. “You’re talking again.”

“Seriously, come on,” Cliff said. “I’ve got a bad feeling out here. We’ve got to get in.”

They walked down the street, leaving the campus, heading toward Cliff’s apartment, two blocks away. He stopped a half-block from it.

“What?” Bill said.

“Those birds,” Cliff said. “Hear them? They’re all up in those trees.”

“Oh, come on,” Bill said. He continued walking. Cliff and Alex cautiously followed.

The birds rose in a dark, sputtering mass, releasing obscene spatters as they darted obscurely against the sky.

“Goddammit!” Cliff yelled as they sprinted beneath the birds. “No one listens!”

The birds dissipated. Bill and Alex slowed to a walk, laughing, breathless.

Cliff stopped ahead of them. “Did it get on me?” he asked when they reached him.

“I don’t know,” Alex said. “Let’s all look.”

The three turned, inspecting each other.

“I think we’re all clear,” Alex said. “No, wait—there’s some on you. On the back of your hair.”

“Aw, man,” Cliff said. “Crap.” He started to raise his hand to the back of his head.

“No, don’t,” Bill said. “You’ll smear it. Just wait until you get home, and then you can take a shower. Come on, we’re basically there.”

They walked the rest of the way to Cliff’s apartment. He worried his key in the lock, kicking the bottom of the door. It swung open, and they went inside.

“Just—sit around—T.V., whatever,” Cliff said, trotting down the hallway. He went into his room, came out with a wad of clean clothes, and locked himself in the bathroom.

In the shower, he rinsed the bird shit from his hair. He washed it, rinsed the soap out, and then he washed it again. He washed his face and then his body twice, as well. Looking down at his legs, he noticed that his muscles were strained. They seemed to be growing leaner, shrinking away like the piece of raw meat in the film. He closed his eyes and rinsed off. As he dried himself, he looked up at the ceiling. He struggled into the clean clothes. Then he kicked the dirty clothes into the corner and went back into the living room. Bill and Alex sat on the sofa, staring at the television.

“The fuck are you watching?” he asked them. “Is that Mr. Rourke?”

“Star Trek,” Alex said. “It’s the guy who played him, yeah, before he became Mr. Rourke.”

“Does he really look as orange as that? Nothing looks right right now.”

“Right right now,” Bill laughed.

The telephone rang. Cliff groaned, found the handset on the table, and then lifted it slowly. He pressed the talk button.

“Cliff?” Shelly said. “Is that you? Are you home?”

Cliff opened his mouth, but he didn’t say anything.

“Are you there?” Shelly asked. “I hear you there. You better say something.”

“I’m here!” Cliff gasped. “I’m here.”

“Why did you just sit there without saying anything?”

“I was—there was something in my mouth.”

“Oh. Can I come over? I have something I need to talk to you about.”

“Uff. Can it be tomorrow?”

“What’s going on? Do you have someone there with you?”

“No! I’m just—I have to leave, is all. I’ve got that—that study group.”

“On a Friday night?”

“Uh, yeah—that’s when the others wanted to meet.”

“Huh. Well. You call me tomorrow.”

“Okay. I will. Call you. Bye.”

“Goodbye.”

Cliff pressed the off button and crammed the phone in the cradle.

“Shit!” he said.

“What’s wrong?” Bill asked.

“Shelly. She was all—she could tell I was fucked up or whatever. I wasn’t making any sense.”

“You sounded okay,” Alex said.

“She could tell. She’s going to be pissed. I never should have done this.”

Bill held his two palms up, like a hostage negotiating with a gunman. “Look, just calm down. Sit down and wait a little while, an hour or two, and then you’ll feel better.”

Cliff paced a few steps one way and back. Then he flung his hands listlessly to his sides and sat in the easy chair next to the sofa. Bill and Alex sat back down. They all turned to the television.

They watched Ricardo Montalbán struggling with Captain Kirk. Cliff kept shaking his head as the two men scuffled on the screen.

There was a knock on the door. Cliff yanked his finger to his lips. He and Bill and Alex sat, looking at each other.

“Cliff!” Shelly yelled outside the door. She pounded on it, and then she yelled again. “Cliff! I know you’re in there! I can hear the stupid television! I already know you were lying about the study group. If you don’t open up, I’ll know you’ve got someone in there with you.” She kicked the bottom of the door. “You do, don’t you? You went out with your idiot friends and met some slut in a bar and you brought her home and lied to me about the whole goddamn thing!” She stopped speaking as she leaned into her kicks, shaking the door in its frame.

Cliff, Bill, and Alex looked at each other, wide-eyed. Cliff’s finger was still glued to his lips. He sat with one leg planted against the floor to keep the easy chair from rocking. He held his breath, hiding as the door continued to shake and Shelly started shouting again. She finally stopped, and he let his breath out and his hand fall. He and Bill and Alex didn’t speak. They looked away from each other. From the television, a man screamed, but Cliff didn’t turn his head to see who it was. He kept staring at the leg of the sofa, breathing as slowly as he could.


Kenneth Gulotta writes fiction and poetry while earning a living as a technical writer. He has an MA in creative writing from the University of Texas at Austin and a PhD in English from Tulane University. He lives in New Orleans with his wife and stepson. His work has been published in seemsTHATSoundings East, and Litro Online, and he has a story upcoming in Dunes Review.

Katie Strine

Make-Believe

He’s careful in his placement, my five year old, as he lines up the houses. His town stretches through the room.

Hi, mom. His words are so small I could eat them without chewing. I could consume them in one swallow. Do you want to play with me?

He points to where the hospital is, where the fire department is, where the school is. When he finishes, he moves cars around, their little wheels coasting over cracks, the roads’ puzzle-piece nooks like potholes.

And where do you live?

He looks at the town. He has constructed and mapped out the mini-world, yet he hasn’t considered his place in it. Finally, he decides. He keeps his eyes on the little building. The hospital. In this world, it is a happy building. The colors are bright, the people are smiling. They are plastic and so are their concerns. Nothing in this carpet town is real.

He holds his gaze down because he’s afraid to meet my eyes, afraid for me to see what he’s holding there, and he’s afraid to see if I’m holding the same in mine.

You live there?

Instead of turning to me, instead of affirming, he moves a little person - the one he has decided is him - and walks it along the road toward the hospital. He moves past the zoo he has made. He doesn’t stop at the playground he has created. In fact, now that I see him moving within this town, the hospital is at the center of everything, and when he arrives there, he shuts the door behind his mini-self and sets his hands on his lap and twists toward me, to where I stand in the doorway.

It’s okay, he says. I like it there.

The first time we took his father to the hospital, I dropped him off at a friend’s. But then the trips became more frequent, the emergencies more emergent, and now when we pass the hospital he knows it so well it isn’t just the place where he was born.

Oh yea? I ask, enter his room, and think of what he might like against everything I hate. What’s your favorite part? This is my way of shifting the association. It’s not a question posed in a negative. It’s not a probing question about what it’s like to see your own father connected to machines, or about the deathly smell of the hospital, or about that time we both slept wedged on a chair until one of the RNs moved us into a room with a couch so he could spread out, his first sleep-away from home.

I like the food. He smiles and motions for me to come look. When I crouch to where he is on the other side, I see inside the spliced open side of the make-believe building, the rooms little boxes that he has filled. He shows me the room that must be his father’s room and he shows me the snacks. Pretend food, miniatures, a stockpile.

The food. I picked him up early from school one time, my husband incoherent in the passenger seat. I yelled his name across all the other little faces, little bodies, their little worlds wrapped up in playing make-believe in nothing that was real and from the urgency in my voice he came running across the playground quicker than he’s ever come to the calling of his name.

I stood outside of the car motioning for him but keeping one hand stretched out, reaching toward my husband, my body splayed between these two people.

It was hours until my husband was settled into a bed and the IV dripped and the fluids did what the fluids should do.

I tugged at my little man’s tender hand, told him Let’s go, and we snuck off to the cafeteria.

It was late. They were nearly shutting down for the day, but we loaded up on overpriced snacks. I let him pick whatever he wanted. We ate our makeshift dinner on a cold table at the center of an atrium, a room too wide, too open to feel any sort of comfort, and exhaustion rolled over me like nausea.

Maybe we should leave the hospital, I say and scoop up the small toys.

But what about dad? He asks and grabs his little father from his little hospital bed.

He can come, too. This, again, is my way of encouraging something positive into the space between us. Let’s take make-believe dad from the make-believe hospital and go to the make-believe park where the make-believe sun is always shining. The effort of positivity strains but we do it anyway, and that’s where the little versions of ourselves sit through the day when the real versions of ourselves can’t.


Katie Strine is a fiction writer from Cleveland, Ohio, where she earned an MA in English. Her work has appeared in numerous literary journals, has been nominated for a Pushcart Prize, and has been supported by the Kenyon Review.

Ana L. Maldonado

CLEVELANDER

She was walking, thinking, “I am tired of this. I am bored. I will not continue dancing with people who do not even attract me.  I will sit here, and order a beer”.

She had gone with friends, but she separated from the group and left them dancing.  Very like her; the masses of people, disturb her.

She was in a dark and open environment, which at the same time sparkled with colored lights.
There were lights everywhere, and they shone even brighter, on the water of the small ponds with palm trees, and other plants, that adorned the Clevelander.

The bar was located in the middle, and on one side there was a small band, with a dance floor, small too.

The main dance floor was in a larger place. This was a closed space and it was further inside the property of that club, on a second floor.

People were dancing to slow music, others were, eating light food and drinking, then, he approached the bar.

He ordered something to drink and said, "Hi, are you drinking your beer, with a straw?"

She was generally very conscientious of the health of the planet, but that night, she decided that recycling was something that was not going to bother her.

He laughed and told her: “I have never seen anyone who drinks her beer from a bottle, with a straw”

She also laughed and replied: "Well, it is very cold"

A dancing song, was starting. What a loud noise!

Next act, both of them, formally introduced themselves, shouting.

Then, seeing how she raised her bottle, he told her: "YOU HAVE NICE HANDS, I LIKE YOUR NAILS ".

She looked at him: "THANK YOU!".

He was flattering her, and she liked that.   

One, because it was the compliment of a mature, but young and attractive, man, not one of an inexperienced youngster.   

Two, he didn't say, anything, like “how beautiful is your hair!”.  If she had heard that, one more time….
A woman likes, when a man, pays attention to the details.  She knew, that he knew, the kinds of compliments that a woman likes to hear.

Although they leaned closer, one to another, to be able to listen and speak, they still raised their voices.  

The sound of the music was very loud, and the band did not rest even for five minutes.
Well, after all, that was a place where you eat, drink and dance.  Miami, Latin country.
He told her: “I AM AMERICAN, FROM COLORADO, LIKE YOUR BEER!”

She asked, “HOW?!”

He then borrowed her bottle of beer, and showed her, “SEE?!”

The label said, Coors Light, made in Colorado.

She was surprised and said smiling: "AAAH YES!"

Next step, he asked her: “AND YOU, WHERE ARE YOU FROM?!”

“PERUVIAN!” she said.

He exclaimed, “AH! AND WHAT KIND OF MUSIC IS PLAYED IN PERÙ?!

Then, the volume of the music dropped a bit, and sitting there, she listened to a song that sounded familiar to her. "That one! That's Peruvian!" she said.

She was excited and surprised at the same time, it was rare to hear music like that out there.
Not because it was a Peruvian song (although a little, Miami Beach is generally synonymous with Caribbean music), but because, as in many other places, the varied repertoire in Peru.  Because that song, though was nice, rhythmic, danceable, was not one of the greatest representatives of Peruvians abroad.

However, at that time, it was, and she felt happy and proud, non-Peruvian people in that club liked it and was dancing to it.

She was happy because, not all Latinos and Spanish speakers are the same, and listening to that song, despite not being one of her favorites, made her feel a bit of Peru.

He liked the song and asked her if she wanted to dance (just being a gentleman, because it was clear that the dance floor was not calling him).  She told him “no, thanks” (she had just come from dancing, she had left her friends, and she was tired too; he was very handsome, but his appearance wasn't enough to take away her tiredness either).

Also, she noticed, he didn't drink.

He had been sitting next to her for a while, chatting animatedly, and had ordered a glass of tonic water, not a strong drink.

She thought: "nice! but, why? It was that, he doesn't like to drink?, or was that, he has a history with Alcoholics Anonymous?"

Did I mention how suspicious, she was?

Conversing a little more relaxed, the volume of the music had lowered, they talked about what each one was doing.

She was studying at the University (a doctorate in Philosophy) and he was an airline pilot.
She thought "Pilot!, now I understand, why he doesn't drink; maybe he has a flight tomorrow early"
They continued talking about unimportant things for a while and suddenly he asked her "do you want to go to a quieter place? It's very noisy here"

She looked at him and smiled, but told him no.

She told him that she had come with some friends and was waiting for them.

Actually, it wasn't that precisely, it was that as cute as he was, she didn't want to go with a stranger.
Besides, let's just say he was completely harmless, she had just sat at that bar to have a beer.  She wasn't in the mood for a sneaky, one-night stand; it may sound prejudiced, but, what else could that be? He told her that he lived in Denver (the capital of Colorado) and that is a very distant city from Miami.

A Colorado pilot, who reminded her, to the sailors.  'A love in every port’?

Yes, he was handsome, and he invested time in her. But she didn't feel bad telling him she wasn't going with him, at least not that bad, she was exhausted from some chores she'd had to do the day before.
On the other hand, she gave him no reason to think otherwise, she was so exhausted that she didn't even flirt subtly with him, as she often did.

She had come to relax, to get away from her problems at the university and at work.
Like I said before, he was very good-looking, tall, blond and blue-eyed, he wouldn't have any problem finding someone else, she thought.

He seemed like a kind, correct, funny person and from the way he dressed, he didn't look dirty or poor.
But he wasn't the type of man to look for something that would outlast his time in Miami.
Also, tall, handsome, strong, and single?

Still, she was flattered, after all, he had chosen her first.

He said goodbye with a smile, and a friendly gesture.

As he walked away, she thought: “you will find the person you are looking for, but she is not me”.


Ana L. Maldonado was born in the district of Jesús María, city of Lima, Peru. She obtained a bachelor’s degree in Civil Engineering from the University, Ricardo Palma of the same district, in Lima, Peru. Today, Ana. lives in Lima, Peru, but from the early 90s she lived in the U.S. until 2014, with intervals outside Peru of more or less 4 years.

Isabelle B. L.

Drapery

Eight legs are practical for lugging suitcases. She creeps down my floral wallpaper, across a labyrinth of wooden frames, over glass bridges, snowy mountains, and starry skies. She scampers over porcelain geometrics in hues of blue, swims foamy waters and stops at a piece of peeling plaster. Bother. She inches her way around Home-Sweet-Home and settles down on my window’s top left. She is adamant. I will not live here for free, so, she weaves me a fine pair of lace curtains.

Dumpers and diggers in pumpkin and carrot dump and dig. I like it better when it is just spider and me. Gigantic arms, capitalist accomplices, scoop the earth and create deep trenches. Bold oranges penetrate the dainty lace.

Hard hats bob up and down, clipboards wade across a thick, gooey space of grey. Spider keeps spinning. Fine curtains become creamy drapes, and she adds tassels for the weekends. That is when the deconstruction and construction take a break, and we can let the sunshine in again, chirps and barks, witness wings flapping, dogs wagging their tails.

I take down the frames. Give them a good spray and wipe, but I will not wash the drapes for I will not kill my friend.

When I die, spider will die, unless the new owners like drapery in spider-weave-white.


Isabelle B.L is a teacher based in France. Her work can be found in the Best Microfiction 2022 anthology, Flash Fiction Magazine, Rune Bear, Alternate Route and elsewhere.