Dante Novario

A Prisoner in a Cage Somewhere


They locked me naked
In an empty room
 
But I felt untamed
And, more importantly, deadly armed
 
I first sheared every hair on my body one
By one, braided them together
for gauze, rope, and netting
 
Then the nails, easily to file
Into claws, easy to fork the tongue,
To ignore the eventual consequences of pain
 
I dug my ribs out, six, and sharpened them,
Wore them on my fingers like claws. I bled and
Fed the feral Earth in a demonic ritual
 
Applied pressure to the wound using black gauze
Far away something dark awoke under the quarter moon
A cricket stopped singing, and then another
 
Carved divots into my ribs using sharpened teeth
Pounded them into the stone wall both fists forward
Set before the door a concealed woven net
 
And strung it like a vengeful ivy
I waited for a night, a week
Ate bits of myself I knew would forgive me
 
They, eventually, walked in
And I sprung my trap
 
Used my claw of ribs to slit their throat
And then my nails to skin them alive
 
I stripped their fat and wrung it for oil
Started a fire, ate medium rare tongue that night
Saved the veins for desert
 
I devoured them entirely and, upon finishing, looked to the open door
I was ready, my body now twice as deadly
Filled with a desire twice as horrible as before


Dante Novario currently lives in Louisville, KY where he studied writing at Bellarmine University and works as a behavior technician. At times, he can be found selling odd little scrolls of poetry throughout the city. His work has previously appeared or is forthcoming in Firewords Quarterly, Rogue Agent Journal, Dream Pop Press, and The Ariel Magazine.

Elisabeth Harrahy

Losing the Match

From his recliner, my stepfather
asks my daughter
if she watches professional wrestling
 
My daughter answers with disdain
“Of course not—
wrestling is stupid
and so fake!”
 
On the tv
two men in tall laced boots
and spandex underwear
grab for each other’s heads
 
The one they call The Undertaker roars
“I’m the master! Obey me or rest in peace!”
 
My mom shouts from the kitchen
“Your mom used to love to watch wrestling,”
which brings a look of disgust from my daughter
 
“Its true,” I say
“I even got in a fight one time
with a neighbor boy
who made fun of me for believing”
 
But as I look now
at the chaos on the screen
listen to the crazy crowd boo
the wrestler in the phantom mask
 
it dawns on me that maybe
what I really believed in
was my dad
 
He and I sat on our flowered couch
and watched wrestling together
while my mom cooked
spam and eggs
 
We especially loved the tag team
Chief Jay Strongbow and Sonny King
with their tomahawk chop and celebratory
war dance
 
Professor Toru Tanaka and Mr. Fuji
beat them once, but only because
Mr. Fuji threw salt in their eyes
 
My dad said
sometimes people fight dirty
you have to know how
to defend yourself
 
He taught me to make a fist
with my thumb on the outside
demonstrated a proper pile driver
and explained the key
to tag team wrestling—
 
knowing when and how to maneuver
your way back to your partner
on the other side of the ropes
 
so you can tag him
and he can come in
to take out the guy who’s locked you
in a sleeper hold
 
The last day I saw my dad
he struggled to carry
a 12-pack from his car
his mountainous biceps withered to hills
 
Two months later
he was dead
because I was not there
for him to tag
or throw salt in the eyes of his opponent
when Death came with a body slam
and put a sleeper hold on him
 
The neighbors in my dad’s trailer park cheered
at the chance to take his tools and belt
before the EMTs could enter
find my dad’s legs sticking out the bathroom door
feet pointed at the ceiling
 
and count him out


Elisabeth Harrahy is an Associate Professor in the Department of Biological Sciences at the University of Wisconsin- Whitewater, where she teaches courses in ecology and conducts research on the effects of contaminants on aquatic ecosystems.  In her spare time, she likes to drive her 1967 Plymouth Satellite muscle car, and write poems and short stories. Her poems have appeared or are forthcoming in Phoebe: Journal of Gender and Cultural CritiquesWisconsin People and IdeasBrambleSky Island Journal,Gyroscope ReviewBlue Heron ReviewMobius: The Journal of Social Change, and Boston Literary Magazine.

Samari Zysk

If Memories Were Berries

Cranberry viscera traces over
the foibles on my eyelids —
upon every eyelash, blushing berries
gut themselves.
I blink away the seeds.
 
If I laugh, would it be wrong?
 
This rush of red reaches past
years licked away with a
sugared tongue
that never knew sweetness by its name.
 
I plunge each aching finger
between my eyelids
                        to wring out every lie
            because I need
I need to see the truth.
 
Cranberry juice palms down my chin;
every part of this face has murdered.
                                    My eyes lash each skin until the berries
                                                            break,
                                                                        innards clench around my teeth,
                                    my fingers bloom until
they smell like death,
my forehead is wreathed in red.
 
            This is sweetness never knowing sweetness could be this.


Samari Zysk is a queer Jewish writer who lives in Olympia, Washington. They are currently earning their Bachelor's Degree at The Evergreen State College, where they’re also a Writing Tutor. You can find their work in Cypress Poetry Journal, but you can also find the person themselves picking flowers, writing with an ultra-fine tip pen, or doing other gay things.

Matthew Johnson

An Opinion Piece On The Death of Newsprint

I miss holding newspapers
Like I miss seeing forecasts of snow, 
And stories about the deaths of dictators.
I miss the versatility of newsprint,
Such as scrunching day-old comics into balls,
To soak up my poured-on soles. 
I miss the Sunday football predictions, which made the pundits 
Look like Monday fools. 
There was still more for the world to do
In the age of newsprint:
Like using two-day columns as barbeque cleaner, and gift wrap.
I liked catching and highlighting typos like other kids caught fireflies in summer.
I often wondered of who would contact the elderly Sterling household 
For the litter of puppies they were trying to sell? 
I even miss reading the stories which sank my heart, 
Since that’s when I knew journalists were needed, and were working.


Matthew Johnson earned his MA in English from UNC-Greensboro, and is a former resident of CT and upstate NY. He's a former sports journalist who wrote for the USA Today College and The Daily Star (Oneonta, NY). His poetry has appeared in Maudlin House, The Roanoke Review, and elsewhere. He is a one-time Best of the Net Nominee (2017) and his debut collection, Shadow Folks and Soul Songs (Kelsay Books) was released in 2019. Twitter: @Matt_Johnson_D  

Gennifer Godley

Love in the time of—

Until further notice, I have taken a break
from life, at least in the sense that touching
things is living, rooting my palms to firmness,
their creases flattened at the heart-line.
My doorknob is unturned. I am sorry to tell
you, but I have cut my fingernails short.
 
Instead, I am cupping my hands underneath
the hot tap. This is neither touching, nor
being touched, but the water skims my breaks
and I am reminded of those fountains I saw
at the airport, their backs pressed to the wall
and cemented two feet apart, the emptiness
 
around them, the fear of other mouths.
Three weeks ago, we plunged our forearms
into the aquarium tidal pool. Your face lit
as the peppermint shrimp jumped from its rock
to clean your fingers. Be patient, you said,
and so I waited there with my open hand,
 
and the gravel scraped against my knuckles.
A starfish unbent. The water was clear.


Gennifer Godley received her BA in English Literature at the University of Maryland, her MA in Creative Writing at Newcastle University, and is currently pursuing a practice-led PhD at Northumbria University. Her work interrogates the ways in which we conceptualise the body to understand our surroundings, and no matter how hard she tries, all of her poems end up talking about water. 

Erik Fuhrer

incantation

the nurse asked me to rate my level of depression
and I said lucifer slip know a head of lice
I ate a doorknob at called it a 5
5 is the sexiest number
I take it to bed with me but all it
reminds me of is stairwells and 
lucifer slip knot head of lice
so I sleep in the floor
as 5 dissolves into the paint 
and I am left my own bogeyman
peeling the shadows from the walls
as I wicker my body into a shiver
lucifer slip knot a head of lice
today its an eight cylinder 
inside my decaf coffee and my
bracelet is beginning to chafe
and I fall into my milk carton 
because I was missing from the
side of it because no one is
looking for me except
lucifer slip knot head of lice


Erik Fuhrer is the author of 4 books of poetry, including not human enough for the census (Vegetarian Alcoholic Press, 2019). His next book, in which I keep myself hostage, is forthcoming from Spuyten Duyvil Press later this year. You can find him at erik-fuhrer.com and on twitter @erikfuhrer.